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Review
It has no doubt changed the art world, and for the better in many cases.―Amy Ione, Leonardo Reviews
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This is a long overdue anthology that brings together a judicious selection of canonical artists' writings, while expanding this established frame to consider episodes in South America and Eastern Europe. Alberro and Stimson cover a variety of critical modalities, including the exhibition as a frame, the economic circulation of art, and approaches to audience. The final section controversially inscribes recent tactical media projects into this history as the contemporary iteration of Institutional Critique. This will be essential reading for, and generative of further criticism by, artists, curators, and art historians invested in the legacy of this practice.―Claire Bishop, CUNY Graduate Center, New YorkThis volume performs the much needed task of mapping the multiple trajectories of artists committed to institutional critique; from their excoriation of the museum to their skepticism about the category of art, from the feminist critiques of mastery and genius to the refutation of the hegemony of whiteness by artists of color. For over four decades these artists and critics have rejoiced in anti-authoritarian strategies, and, with a profound sense of love and possibility, have bravely suggested that the idea of art, far from being timeless, demands and deserves to be renewed and reimagined over time and space.―Helen Molesworth, Houghton Curator of Contemporary Art, Harvard Art Museum
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Product details
Series: The MIT Press
Paperback: 512 pages
Publisher: The MIT Press; Reprint edition (September 30, 2011)
Language: English
ISBN-10: 9780262516648
ISBN-13: 978-0262516648
ASIN: 0262516640
Product Dimensions:
7 x 1 x 9 inches
Shipping Weight: 2.2 pounds (View shipping rates and policies)
Average Customer Review:
3.0 out of 5 stars
1 customer review
Amazon Best Sellers Rank:
#350,514 in Books (See Top 100 in Books)
Needed for school. It worked for its purpose.
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