Download PDF , by Grant Morrison
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, by Grant Morrison
Download PDF , by Grant Morrison
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Product details
File Size: 86059 KB
Print Length: 192 pages
Publisher: Vertigo (June 25, 2013)
Publication Date: June 25, 2013
Sold by: Amazon Digital Services LLC
Language: English
ASIN: B00DILB7TG
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I was in college in 1989 and had neither the time nor the funds for comic collecting so I took a decade or so off and missed out on the rise of Grant Morrison at DC comics. I get the impression DC was trying to strike gold again after hooking up with Alan Moore but there’s only one Alan Moore and Animal Man or Doom Patrol just weren’t in the same league as Moore’s Swamp Thing. I’ve read Morrison’s work on the Justice League in TPB’s and hated it but I confess to loving about 50% of the stuff he produces including his recent Multiversity which had many moments of brilliance. Morrison is like a major league slugger who is capable of smashing a ball out of the park or creating a hurricane with his whiff.I was excited to read Morrison’s nearly 30 year old Doom Patrol stories, particularly since the weirdness of the character dynamics has continued to be used decades later. Having now read volume one I can officially say I am not particularly impressed and I’m pretty sure if I had read an issue of Doom Patrol in 1989 I would stopped at just one. In 1989 Grant Morrison would have been 29 years old. Certainly not a kid but young for a writer. His youth is evident here as there are a ton of ideas thrown at the reader but a certain lack of coherency. This isn’t to say that Morrison has ever mastered the art of structured storytelling but these early stories seem particularly messy.Besides the writing the other issues is with the visuals. The intro refers to penciller Richard Case as an “inspired master craftsmanâ€. Perhaps his art has improved since 1989, when he was just 25, but I found it aesthetically unappealing.In many ways the Doom Patrol feels more like a horror comic rather than a superhero comic. Again, there are a lot of interesting ideas here but Morrison flings them out at such a rapid rate that there is no time to establish what the heck is going on. He can never just relax and work with an idea. For instance I was interested in Negative Man (Rebis) and Morrison spent a little time on him/her before jumping on to the next idea and the next and the next. I was not a fan of Crazy Jane and I’ve never really liked comic characters who’s powers are based on mental illness. The fact that Dr. Caulder would refer to her as “Crazy†Jane as if that were literally her superhero name seemed rather callous. Dorothy Spinner, the ape faced girl, was fairly useless in this volume. I wish Morrison could have spent more time establishing the characters and less time throwing them into bizarre situations.
Grant Morrison is most famous for writing Animal man in the late 80's. While that series certainly had it's share of weirdness, it was nothing compared to the insanity of this volume of doom patrol.Doom Patrol starts off at issue #19 of the series. This is the same situation as Alan Moore's Swamp Thing, where DC and fans recognize that the series only really got good once these writers took over. Now, it's a bit more of an awkward start for Doom Patrol, since Morrison didn't devote as much time as Moore did to explaining backstory, but we do get a brief introduction to our main characters. The Doom Patrol isn't like normal super hero teams, consisting of people who are in some way damaged. From a woman with multiple personalities, to a brain stuck in a robot body, to a hermaphrodite-energy hybrid...well it goes on like that for a while. This brings me to my first problem with this volume and the series so far. The three main characters get plenty of screen time, but there are at least four other Doom Patrol members,and outside a focus issue or two, they don't do much. It doesn't really get in the way of the series, but it does feel like it isn't living up to it's potential.So, moving on to the plot of this series. Well. Ok, let's put this bluntly, Doom Patrol is a series that goes weird for the sake of weird. It is an extremely avant-garde, absurdist series, and has the artwork to back it up. To give one example, there exists in this comic a group of police that work for a cult, who operate by drawing the fingerprints of their victims onto their helmets so that those they kill will get trapped in the whorls, and speak entirely in anagrams. Now, that's not to say it isn't engrossing. Some villains are actually quite well developed as characters. But this isn't a series that's going to make a lot of direct sense. Still, it's tons of fun, has great artwork, and I would be remiss if I didn't recommend it.
I read some of the Morrison/Case run of Doom Patrol back when it was new, and it fascinated me. It was around the time of the Shadow Cabinet storyline. I vividly (and maybe accurately) recall one of my all-time favorite bits of dialog from comics: Fortune Teller - You have a very long life line. It goes all the way around. Crazy Jane - That's a seam. I'm wearing gloves.That day, "Negative Man" (or, at that time, probably "Negative Hermaphrodite") became one of my all-time favorite superheroes. The enigmas that spilled out of Negative Person's bandage-swaddled mouth were amazing, the casual manner of floating just above the ground instead of walking was great, and the whole sense of bizarre atmosphere that infused the story set my imagination a-tingle. I thought it was probably just a particularly weird plot arc, and sadly I did not get to read more than a few issues before losing track of it. Years later, I learned that kind of bizarreness was "normal" for Grant Morrison's Doom Patrol stories.A couple decades after that Shadow Cabinet story, I found out Doom Patrol got rebooted, so I started reading it. Different writer, different artist, different feel. It was nowhere near as intriguing as I remembered. I dropped it after a few issues. It did not really leave an impression.I finally got around to ordering the first collected volume of the Morrison/Case run (Case didn't illustrate all the Morrison issues, apparently, but at least most of them), and this time Doom Patrol did not disappoint. I'm pretty sure I never read any of the issues collected in this volume, but it's excellent. It ended on a hilarious note, left me with a smile on my face and an urge to write this review. I await the next volume on the edge of my seat; I'll order it shortly.If you're the kind of person who likes stories written to comfort the disturbed and (most importantly and dramatically) disturb the comfortable, get this book.
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